Rehearsal Resources Spring 2025
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Tides of Ocean this one's a little glitchy
Give Me A Laundry List
Click the link to get the playscore. From there you can adjust tempo, how many parts you hear, what they sound like, etc. |
Playscore recordings for part practice:
*To access this, you’ll need to download the free PlayScore2 app on your tablet or phone. The singer portion of this informational video starts at 1:55. We’ll have a tutorial at rehearsal on Tuesday. So Have I Seen a Silver Swan
Soprano
Alto
Tenor
Bass
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The Times They Are A-Changin’
Staff 1 is the solo line. Staff 2 is women—because of the 3-part split, you can only isolate it so far. Staff 3 is men. 4 & 5 are piano. The way this is scored, there are a few glitches with ties and unison notes. Pay attention.
Soprano
Alto
Tenor
Bass
Staff 1 is the solo line. Staff 2 is women—because of the 3-part split, you can only isolate it so far. Staff 3 is men. 4 & 5 are piano. The way this is scored, there are a few glitches with ties and unison notes. Pay attention.
Soprano
Alto
Tenor
Bass
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It's possible to over-process a performance.
It's possible to over-enunciate.
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Songbird -there are a few glitches, mostly with playing tied notes
S1--Because of the way this is written out, I had to get creative to in order to get all the parts. There might be volume jumps. Be aware that at m.57 you are crossing both of the other parts, ending up lower than everyone. At 69 something sounds weird, but I think it's in the lower parts. There are also a few gaps through out where there's no sound.
S1, m. 33-end(for clarity)
S2
A-- Because of the way this is written out, I had to get creative to in order to get all the parts. There might be volume jumps. Be aware that at m.41 you are higher than the 2nds. There's a wrong note played at the beginning of m. 54
S1--Because of the way this is written out, I had to get creative to in order to get all the parts. There might be volume jumps. Be aware that at m.57 you are crossing both of the other parts, ending up lower than everyone. At 69 something sounds weird, but I think it's in the lower parts. There are also a few gaps through out where there's no sound.
S1, m. 33-end(for clarity)
S2
A-- Because of the way this is written out, I had to get creative to in order to get all the parts. There might be volume jumps. Be aware that at m.41 you are higher than the 2nds. There's a wrong note played at the beginning of m. 54
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B
Three Madrigals
O Mistress Mine is an Elizabethan song which appears in Shakespeare's play Twelfth Night. It is sung by the character Feste, who is asked to sing a love song by Sir Andrew Aguecheek and Sir Toby Belch. The words of the song are addressed to the singer/poet's lover.
The lyric is often assumed to be by Shakespeare, although he could have been referencing an existing song. ‘Take, Oh Take Those Lips Away’ is a song from Shakespeare’s ‘problem play’, Measure for Measure, the only one of Shakespeare’s plays to be set in Vienna, and is sung by a boy to Mariana, the woman whom Angelo promised to marry before abandoning her, reneging on his promise. The singer asks a false beloved to go away from them and leave off trying to kiss them with their lips – because the lips with which they would kiss are also the ones they used to perjure themselves. The tone, therefore, is bittersweet, and slightly more on the melancholy side. "Sigh No More, Ladies, Sigh No More" is a song sung by Balthasar in Shakespeare's play Much Ado About Nothing. A playful yet poignant song that functions as a pivotal moment in Much Ado About Nothing, revealing the societal expectations and double standards of the time while adding a layer of complexity to the play's themes of love, betrayal, and reputation. |
Mundi Renovatio
Quick! We Have But a Second
All the parts are in this video. Scroll through to find yours.
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